LAWISWIS KAWAYAN

SAYAW SA BANGKO

PASIGUIN

JANGGAY

LULAY

PANDERETAS

ALCAMFOR

PANTOMINA

SURTIDO

TIKLOS

KURATSA

Kuratsa is a popular and lively dance that is very common among the old folks of Visayas and Ilocos regions. Commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple’s attempt to get each other’s attention. It is performed in a moderate waltz style.It has many different versions.

CARIÑOSA

Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers’ hide-and-seek movements.

PANDANGGO SA ILAW

Pandanggo sa ilaw. The word ‘pandanggo’ is taken from the Spanish word ‘fandango’. The dance is characterized by the lively steps performed in conjunction with the clapping while the dancers are following the ¾ beat. Again, this dance calls for graceful balancing acts so that the lights held by the hand will not fall. This dance is originally from Oriental, Mindoro.

MAGLALATIK

Maglalatik is danced to mimic the early battle against Christians and Moros to win coconut meat or “latik” during the time of Spanish colonization. This is also performed to pay homage to the town saint of Biñan, Laguna – San Isidro Labrador. This dance is divided into four parts: baligtaran, palipasan, paseo and escaramusa. This is performed by all-male dancers who wear blue pants to represent the Christians and red pant for the Moros. All dancers, however, have coconut shells mounted on their body parts.

TINIKLING

Tinikling is another Philippine folk dance that is inspired by an endemic bird called “tikling.” The steps of this dance are an imitation of the movements of a “tikling” bird that hops and escapes the traps set by hunters. Moving with poise and grace, the dancers skip in-between two bamboo poles that are held to pound rhythmically against each other. This dance is a specialty of Leyte.

ITIK - ITIK

Itik-Itik is one of the Philippine folk dances which have an interesting origin. According to stories, a Filipina maiden-dancer of Surigao del Norte was asked to perform a native dance in one special occasion. She started to improvise new steps and imitate the courtship movements of a local species of duck known as “itik.” The spectators began to imitate her and that is how the dance came to be.

SUBLI

Subli owes its meaning to native words “subsub” meaning to fall with the head and “bali” or broken. This meaning is reflected in the dance steps. The dancers move feebly and tortuously as if without vigor. This dance, however, traces its roots to Batangas where it was originally played as a ritual dance which evolved into a symbol of religious tradition performed during town fiestas.

BINASUAN

Binasuan is a native dance of Pangasinan. This dance literally means “dancing with glasses.” The steps are executed with glasses filled with rice wine balanced on the head and the hands of the dancers. Danced to show balance and to reflect rural gaiety, Binasuan is performed usually in wedding ceremonies and occasions in the barangay.